BLACK LIVES MATTER; How White Feminism Failed in the Age of Trayvon Martin

by Rachel Cargle | February 2022
It was the Women’s March on January 21, 2017, that opened my eyes to the racist underbelly of the feminist movement. I was so eager to be a part of what was happening that I partnered with a friend of mine to organize a busload of people to leave from Manhattan’s Lower East Side for our nation’s capital at 4 a.m that day. … Admittedly, it didn’t dawn on me right away. It wasn’t until weeks after the march — after I was called in by a group of Black peers inviting me to question the ways white feminism gave space for my Blackness — that I took a pause to really think it through. At the march, there was an abundance of pink pussy hats but a disturbing lack of Black people among the millions chanting. It was alarming to consider, especially since the country remained in the midst of racial unrest. Audre Lorde once said, “I am a Black Feminist. I mean I recognize that my power as well as my primary oppressions come as a result of my blackness as well as my womaness, and therefore my struggles on both of these fronts are inseparable.” Years after she spoke these words, I felt the same tense inseparability of my doubly oppressed identity.
TAGS: [Individual Change] [2020’s] [Systemic Racism] [White Supremacy] [White Culture] [White Privilege] [White Blindness] [Anti-Racism] [Social Justice] [Racial Terrorism] [Policing] [Intersectionality] [Black Lives Matter] [Advocacy]

America’s Gun Obsession is Rooted in Slavery; A Series of Slave Revolts Terrified White Residents and Helped Fuel the Rationale for Gun Ownership

by Carol Anderson | June 2021
For too long, the second amendment has been portrayed with a founding fathers aura swaddled in the stars and stripes. But “a well-regulated militia” wasn’t, as the story goes, about how valiant and effective the militias were in repelling the British. George Washington was disgusted with their lack of fighting ability and the way the men would just cut and run from battling against a professional army. Nor was the militia reliable as a force to uphold the law. In Shays’ Rebellion, bands of armed white men, who were in the state’s militia, attacked the Massachusetts government because of foreclosures and debt seizures, demonstrating, again, how unreliable the militia were. Boston merchants had to hire mercenaries to put down the rebellion.
On the other hand, where the militia had been steadfast was in controlling the enslaved Black population. Access to guns for white people was essential for this function.
TAGS: [Racial Terrorism] [2020’s] [Economics] [Justice System] [White Supremacy] [White Culture] [White Privilege] [Politics] [White Blindness] [White Defensiveness] [History] [Black Lives Matter] [Social Justice] [Systemic Racism] [Slavery] [Policing] [Silencing POC]

The Re-Assassination of Martin Luther King, Jr.

by Wendell Griffen | January 2022
This year, the Arkansas Martin Luther King Jr. Commission, an agency of the Arkansas Department of Education, has invited an un-reconstructed Southern Baptist preacher, right wing politician, and Fox News pundit named Mike Huckabee to deliver a “keynote address” during what it terms an “inter-faith prayer breakfast” on the King holiday (January 17). Attendance will be by invitation only. The event will be held at the Arkansas Governor’s Mansion.
TAGS: [Strategies] [2020’s] [History] [Systemic Racism] [Social Justice] [Role Model] [Politics] [Racial Terrorism] [Civil War] [Black Lives Matter] [White Supremacy] [White Culture] [Economics] [White Privilege] [White Blindness] [Intersectionality]

This Church Is Paying ‘Royalties’ When It Sings Spirituals Composed by Enslaved Africans

by Craig LeMoult | November 2021
A hundred or so masked parishioners in the pews of the United Parish in Brookline joined together at a recent service and sang “Lord, I Want To Be A Christian In My Heart.” This song, like many that churches sing all over the country, comes from a musical tradition of spirituals originally composed by African people enslaved in America. As a national reckoning with racism has grown over the last year or so, members of the United Parish began asking whether it was appropriate for the predominantly white church to sing these songs. To address those concerns, the church introduced a unique program to help carry on the legacy of this music in Roxbury, and they’re hoping to be a model for others. “There was growing discomfort around how to use Negro spirituals, appropriately and respectfully,” said the congregation’s minister of music Susan DeSelms.
TAGS: [Collective Action] [2020’s] [Slavery] [Systemic Racism] [Reparations] [Art & Culture]

More than 1,700 Congressmen Once Enslaved Black People. This Is Who They Were, and How They Shaped the Nation.

by Julie Zauzmer Weil, Adrian Blanco and Leo Dominguez| January 2022
From the founding of the United States until long after the Civil War, hundreds of the elected leaders writing the nation’s laws were current or former slaveowners. More than 1,700 people who served in the U.S. Congress in the 18th, 19th and even 20th centuries owned human beings at some point in their lives, according to a Washington Post investigation of censuses and other historical records.
TAGS: [Racial Terrorism] [2020’s] [Civil War] [Slavery] [Politics] [Systemic Racism] [White Supremacy] [White Culture] [White Privilege] [White Blindness] [Justice System] [History] [Black Lives Matter] [Silencing POC] [Confederate Monuments] [Indigenous]

10 pieces of Art to Help You Engage with Truth and Reconciliation; Recommendations from Indigenous Artists and Curators for Films, Books, Theatre and Visual Art

by CBC Arts | September 2021
To mark the first formally recognized National Day For Truth and Reconciliation, CBC Arts reached out to Indigenous curators and artists with one important question: what pieces of art should Canadians engage with to better under the ideas behind truth and reconciliation? The answers we got ranged from films to books to works of theatre to specific pieces of visual art. We invite you to spend some time with these works today.
TAGS: [Collective Action] [2020’s] [Indigenous] [Art & Culture] [Social Justice]